Evidence of the interaction between the audio world and CEDAR's R&D can be found in one of CEDAR's most important processes: the Phase/Time Corrector. Furthermore, the synergy with CEDAR's DSP engineers and system developers ensured that the systems were always optimised for real audio requirements, retaining the look and feel of an audio system rather than a piece of complex computer engineering. Further projects were undertaken for the likes of A&M Records, Trojan Records, CBS, EMI and BMG, and the company extended its operations into the worlds of TV and radio broadcasting.īy this time, all the processing modules within the CEDAR system were operating in real-time so CSR was able to process a much greater volume of work than before. In January 1991, the company moved to larger premises and expanded its restoration and pre-mastering facilities.
#Cambridge sound studio series
Nevertheless, it immediately proceeded to restore important recordings such as PRT's re-issue of Holst's The Planets, a 20 CD box set celebrating the 100th Anniversary of Denon Columbia, and numerous jazz and blues series for Columbia Records. Initially operated out of offices owned by Cambridge University, the Cambridge Sound Restoration studio (CSR) shared space with the research & development and the sales departments within CEDAR Audio. CEDAR Audio opened the world's first commercial audio restoration studio in February 1989.
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